Kit’s Crit: Wicked Enchantments (Froome)

What if the Lancashire Witches were actually guilty of practicing magic?  Joyce Froome’s book, Wicked Enchantments: a history of the Pendle Witches & their magic (Lancaster: Carnegie,2010) explores this possibility from the prespective of the two teenagers involved, James and Alizon Device.

Froome

Froome’s website describes her methodology.  She uses “quotations from a wealth of original sources, such as trial records and books of magic,” alongside “photographs of magical artifacts.”

This unique compilation – based on the sound scholarly research of an assistant curator at the Museum of Witchcraft in Cornwall –  focuses on the seventeenth-century rituals and spells that the poor cunning folk of Pendle may have used to eek out a living: love potions, healing tonics, protection charms, curses, good-luck talismans, fertility magic, and fortune-telling paraphernalia.  In addition to multiple illustrations, there are also photographs of a modern family recreating many of the ancient rituals.

The only negative comment I have is that the binding of my book fell apart from frequent reading!  But aside from this, Wicked Enchantments  is a fascinating, well-documented, alternative portrayal of the Device family.  Their spells are clearly explained.  And I fully concur with Froome’s conclusion that centuries later “there were still cunning folk around Pendle Hill . . . . Magic had survived both demonisation and ridicule” (310).     

Wicked Enchantments could have become a dry, intellectual, historical examination, were it not for the clever organization, and Froome’s subtle humor shining through the pages.

I love her opening warning: “You are strongly advised NOT to attempt any of the spells described in this book – particularly the one that involves removing a tooth from a live wolf” (iv).  Reader beware!

More information is available at Joyce Froome’s website: http://www.joycefroome.com/wicked_enchantments.htm

Olde English Honey Crispels

Try this medieval recipe for a sweet, fried pastry called Honey Crispels.

Ingredients

8oz plain flour

4oz butter (to rub in)

1-2oz butter (as needed for frying)

pinch of salt

I egg

2-3 tablespoons cold water

8 tablespoons honey

sprinkle of nutmeg or cinnamon

 

Method

1. Place the flour and salt in a bowl.  Cut up the butter and rub in the flour until the mixture looks like large breadcrumbs.

2. Add the egg and sufficient water to bind in a dough.

3. Roll out on a floured surface to a thin pastry dough. Cut in 2-3″ circles.  (Hint: To hold more honey, fashion a small lip round the edge of each circle so there is a slight hollow in the center).

4. Heat the butter (without burning) in a large frying pan.  Fry each round of dough until crisp.  Set on the paper to drain.

5. Slowly bring the honey to a boil over a medium heat, skimming any scum from the surface.  Stir well to clarify.  Brush over the surface of each fried pastry allowing some of the mix to sit and cool in the trough.

6. Modern Version: Dust with icing sugar, nutmeg or cinnamon.

7. Enjoy warm or cold.

* This recipe makes 4-8 crispels, and they take 2-5 minutes to fry, depending on size.  Larger crispels are light and flaky.  Smaller ones tend to be crunchier.

Honey Crispels

Three Real Shakespearian Witches

When someone mentions Shakespeare’s witches we naturally assume they are referring to the three weird sisters from Macbeth.  Yet around the same time as the Lancashire Witch Trials were taking place in Northern England, another sinister plot was unraveling closer to King James’ court.  Ironically, it involved a nefarious character who moved in the shadows of Shakespeare’s own circle – a cunning man by the name of Simon Forman (1552-1611). Two years after his death, Forman was implicated in the murder of Sir Thomas Overbury through his relationship with two former female patrons, Countess Frances Howard Carr (1590-1632) and Mistress Anne Turner (1576-1615).

Forman

But Simon Forman was neither the fool nor evil magician that Stuart history suggests.  Much more likely he was a self-trained quack whose chief sins concerned the numerous illicit sexual conquests he recorded in his diaries.  Forman was a charismatic, intelligent seducer who dabbled in apothecary, astrology, and the occult arts.  His clients included Emilia Lanier (possibly Shakespeare’s mysterious Dark Lady) and Mrs. Mountjoy, the bard’s landlady.  Interestingly, Macbeth is one of the plays Forman mentions seeing at the Globe Theatre (April 20, 1610).  Yet as Barbara Howard Traister’s biography comments, Forman appeared much more interested in the note-taking doctor than in the supernatural characters, which is intriguing for a man who had already been imprisoned on charges of witchcraft.

 

Although Forman died in 1611, his reputation and influence lived on.  He was accused of having supplied the poison that killed Overbury in a diabolical plot hatched by the two femme-fatales – Carr and Turner – and of providing the countess with the magical means to be rid her former husband (Robert Devereux) in order to win over the king’s favorite courtier, Robert Carr.

Countess

At the center of the controversy stood Countess Frances, a virgin child-bride wedded to the Earl of Essex who had since fallen in love with the dashing Earl of Somerset.  Frances wanted her political marriage annulled so she could marry her beloved, but Carr’s mentor – Sir Thomas Overbury – disapproved of this match and stood in their way.  A plot was hatched to discredit Overbury, and he suddenly found himself confined to the Tower of London on trumped-up charges.

Some years earlier the countess had apparently contacted Simon Forman for a love potion.  It was stated at her trial that the cunning man also supplied her with a range of poisons, that were later mixed with tarts and jellies before being fed to the imprisoned Overbury by his jailor.  He died in September, 1613.  A few weeks later the Devereux marriage was officially annulled leaving Frances free to wed Carr.  But over the following months rumors of the murder plot began circulating at court, finally forcing the king to pay notice and address them.  Under the weight of the overwhelming evidence presented the countess confessed to poisoning her enemy, was found guilty at trial, but eventually received a pardon.  She was released from the Tower in 1622, having served due sentence for her crime.  Her accomplice, however, was not so fortunate.

Turner

 Anne Turner was rumored by some to be the illegitimate child of the conjurer, Simon Forman.  She was widowed from Dr. George Turner in 1610 and then became the mistress of Sir Arthur Mainwaring.  Somehow or other she befriended the countess, perhaps in her capacity as a sought-after dressmaker.  Anne held the patent for the saffron starch that dyed fashionable ruffs and cuffs yellow, a more flattering color for many complexions than the usual ivory white lawn.  She was also an independent business woman who ran houses of ill-repute in Hammersmith and Paternoster Row.  But because she was not of noble birth, the accomplice became the scapegoat for Overbury’s death.  Anne Turner, convicted of being a whore, a bawd, a sorcerer, a witch, a papist, a felon, and a murderer, was hanged at Tyburn in 1615.  She was sent to execution in her own fashionable yellow ruff, by a man wearing the same saffron ruff and cuffs – denouncing the color of her dye and putting an end to that particular fashion.

Of course these were not the three evil ones Shakespeare envisaged when writing Macbeth.  Yet he does add a final statement to the scandal in later versions of All’s Well That Ends Well by having  Parolles mocked for wearing a big ruff starched with “villainous saffron.”

Jacobean witches came in many shapes and guises!

 

Sources:  

The Casebook Project: “Sinon Forman (1552-1611)” (Cambridge: U of Cambridge, 2013)

Downing, Sarah Jane. Fashion in the Time of William Shakespeare (Oxford: Shire, 2014)

Traister, Barbara Howard. The Notorious Astrological Physician of London (Chicago: U of Chicago P, 2001)

Wikipedia: “Simon Forman,” “Anne Turner(Murderer)” and “Frances Carr, Countess of Somerset.”

 

 

 

Fairy Dust

A few wires –

a leap from reality –

and Peter Pan took flight

through fairy dust

in front of us

on an ordinary weekday night.

And glitter

shone in the eyes of the child

sat there all evening

stock still – grinning –

finger in mouth –

catching his breath and believing

every tick

of the crocodile’s tock-clock,

and each brave sword blow,

walking the plank –

taking the plunge –

without ever needing to slow.

Peter Pan

And I ask

myself why the magic is

sham and corrupt,

in failing to

 ward off those

pirates of old –  our growing up?

(Degrassi Wiki Gif in Public Domain)

Love Spells

Following on from Monday’s love potions post, which rhymes and chants were used for casting romance spells?  And does any method guarantee success?  A few clues exits in the rare books of magic and the ‘voluntary’ confessions extracted during various witch trials.

In De Occulta Philosophia the famous magician Agrippa (1486-1535) suggests that potions which include bizarre animal ingredients such as a cat’s brain, a wolf’s penis, and bones from a frog mixed with various herbs, would be the most effective.   But the everyday spells cast by love-struck maidens were generally more innocuous.

Love Spell 2

From Mother Bunch’s Closet Newly Broke Open (by T.R.), Joyce Froome quotes the words used for piercing an apple with three pins and placing it under the pillow:

If thou be he that must have me

To be thy wedded bride,

Make no delay but come away

This night to my bedside. 

In the years of religious confusion following the Reformation, British Wise Women seem to have sprinkled their spell with a mix of paganism and papist terminology, perhaps believing that their banned Catholic rites still contained magic powers.  Old Chattox (one of the Lancashire Witches) confessed in her trial documents to using charms such as this one ( although this wasn’t actually a love potion):

Three Biters hast thou bitten,

The Hart, ill Eye, ill Tonge:

Three bitter shall be thy Boote,

Father, Sonne, and Holy Ghost

 a Gods name.

Five Pater-nosters, five Avies,

and a Creede,

In worship of five wounds

of our Lord.

Yet young girls of that era who wished to dream of their future husbands would say a Pater Noster (Lord’s Prayer) for each pin stuck in their sleeves before going to bed on St. Agnes’ Night, showing that religion and magic were firmly entwined in popular medieval culture.

Or on St. Thomas’ Eve, unwed girls might prick an onion with nine pins while chanting:

Good St. Thomas, do me right,

Send me my true love this night,

In his clothes and his array

Which he weareth every day. 

Love Spell 1

By the early Twentieth Century love spells had become less toxic and more in harmony with the natural world.  Froome explains how The Book of Charms and Ceremonies recommends placing willow catkins in the mouth before saying:

I eat thy luck

I drink thy luck

Give me that luck of thine

Then thou shalt be mine.

Today, however, love potions usually resemble herbal teas.  Here is one example from a “book on Druidic practices”:

1 pinch of rosemary

2 teaspoons of black tea

3 pinches of thyme

3 pinches of nutmeg

3 fresh mint leaves

6 fresh rose petals

6 lemon leaves

3 cups of pure spring water

Sugar

Honey

This potion should be made on a Friday during the waxing moon, in an earthenware or copper tea kettle.  Before drinking, the lover should recite:

By light of moon waxing I brew this tea
To make [lover’s name] desire me.

 Then they should drink some of the tea and say:
Goddess of love, hear now my plea
Let [lover’s name] desire me!
So mote it be
So mote it be. 
(links2love.com)

On the following Friday the lover should make more tea and share it with the person they desire who will supposedly then fall in love with them!

This brief summary shows a changing trend from the olden days, when young women wished to see who they would wed in harmless dreams, to cunning folk mixing dubious love potions.  During times of religious unrest, ancient prayers and traditional sacred rites were used but these were gradually replaced with herbs, roots, and mystical items from the natural world.

Rohypnol 2 mg box

Herbal teas seem harmless enough, but the suggestion to “share it with the person you desire” has become an increasingly sinister idea in this modern pharmaceutical era.  For many years men have used alcohol as a makeshift “love potion” to seduce unworldly women, but since date-rape drugs like rohypnol, ketamine, and gamma-hydroxybutyrate (GHB) are available to those who know where to look, it is increasingly easy to ensure that the object of their desire cannot say no.

Love potions were always designed to make an unknowing or unwilling person comply with someone else’s wishes.  Unfortunately, date-rape drugs have now made it that much easier for the predator to succeed!

 Sources:

Dyer, D.G. “Agrippa” in Man, Myth, and Magic (London: BBC, 1970)

Froome, Joyce. Wicked Enchantments: A History of the Pendle Witches and Their Magic (Lancaster: Carnegie, 2010)

“Love Potion Tea” available at http://www.links2love.com/love_potion.htm  (accessed 2/16/2015)

Potts, Thomas. The Wonderfull Discoverie of Witches in the Countie of Lancaster (London, 1613)

Love Potions

Night hearts

The topic for this Valentine’s week is love potions!  What are they made from?  Who uses them?  Do they work?

In Wicked Enchantments, Joyce Froome describes an array of magical charms used throughout the ages and recorded in the Museum of Witchcraft in Cornwall, England.  These include: sticking a certain number of pins into an apple or onion while chanting a rhyme; specific astrological symbols engraved on a box as a love talisman; carrying henbane root to make you appear more attractive; piercing knotted cords with pins; throwing salt on the fire while reciting a chant on three consecutive Fridays;  melting a wax heart over a hot tile while casting a charm that will bind the lover to your will;  and pushing pins in the sleeve with a prayer for each one so you will dream of your future spouse.  And quoting from The Book of Secrets of Albertus Magnus, Froome explains that a typical magical drink contained items such as periwinkle, houseleek,  and earthworms!

Candle hearts

Over the centuries love potions have appealed to young women in search of a husband; those who’ve lost their sweethearts and wish to lure them back; lovers in search of willing bed partners; and insecure people needing outside support, especially when they’ve already been rebuffed.  Cunning folk were only to happy to oblige and had a fifty-fifty chance of providing satisfaction, though of course they were conjuring up sexual allure and attraction, rather than genuine love.

There is some scientific research suggesting that modern-day “love potions” may actually affect human mood  – for example, those based on odors containing jasmine, rose, and vanilla.  Smells can trigger pheromones and create longing, attraction, or remind the person of happy erotic memories from their past.  Several products on the market contain chemical pheromones which supposedly make the wearer sexually irresistible.  Likewise, in the time before Viagra, certain herbs were used to increase the blood flow and stimulate arousal.  But did they really work?  What do you think?

Source:

Froome, Joyce. Wicked Enchantments: A History of the Pendle Witches and Their Magic (Lancaster: Carnegie, 2010)

Kit’s Crit: The Witch (Movie)

The Witch (2015)

Dead Forest                  

 

Robert Eggers debut film The Witch is a masterpiece.  Precisely because it is not the typical action-packed Hollywood horror movie it is far more realistic and terrifying.  Eggers has created “A New England folktale” that is seen through a seventeenth-century lens.  We experience the slow-fuse tension in the same way as the Puritan characters.

The plot is fairly straight-forward.  A family is banished from their village because of differing religious beliefs.  They find a remote spot next to a forest and build their home.  A few years later a baby boy joins the other four children, but he disappears beside the woods while his sister Thomasin is looking after him.  This triggers a series of events that suggest Satan is at hand in various guises – a mysterious wood witch, a curious hare, a sinister black goat, and perhaps one of the two daughters.  Things go from bad to worse until the family are split apart by suspicion and quarrels.  One by one the members die until only one virgin is left to fulfil her destiny and join the local coven of witches.  Satan emerges as the victor because he has wrestled these Christian souls away from God.

Several things make this movie stand out from others in its genre.  Firstly, the historical accuracy.  Eggers and his crew have gone to great lengths to recreate the costumes and sets of the early Colonial period.  Then there is the superb attention to detail, especially in adhering to traditional religious beliefs and occult superstitions.  Thirdly, the wonderful cinematography recreates the beauty and wildness of the remote countryside.  Another strength is the convincing cast, particularly the child actors involved.  Further, I enjoyed the accents and dialog that made the period more authentic.  And finally, there is the originality of the tale.  The Witch takes us back to a time when people believed Satan was a real presence stalking the earth in search of vulnerable souls.  The magic we see is evil, harrowing, and deadly; it seduces and corrupts the innocent.  And sadly, the dark side wins.

Unlike many other supernatural films, The Witch does not show a group of beautiful women dabbling in magic for their own gains.  Eggers makes the horror lie in the fact that no matter how Christian or good one might be, the Devil will always find a way to claim those he wants.

Highly recommended.

 Photo: University of Illinois

Olde English Parkin

Parkin is a chewy gingerbread cake that is very popular in Northern England, especially on Bonfire or Guy Fawkes Night (November 5th).

Parkin

Ingredients:

4oz plain flour

4oz fine or medium oatmeal / porridge oats

4oz softened butter

4oz soft brown sugar

4oz black treacle

4oz golden syrup

2 eggs

1/2 level teaspoon salt

1 teaspoon bicarbonate soda

2 teaspoons vinegar

1 teaspoon dry ginger

1oz crystalized ginger

1 teaspoon mixed spice

6 tablespoons milk

Method

1. Heat the oven to 325 / 170 / Gas 3.  Grease an 8-inch lined square tin.

2. Place the butter, sugar, treacle and syrup in a saucepan and heat gently until the fat melts.  Do not boil.  Set mixture aside to cool slightly.

3. Sieve all the dry ingredients (except the bicarbonate of soda) in a large mixing bowl and scoop out a well in the center.

4. Place the bicarbonate of soda and vinegar inside the well and wait for the fizzing to stop.

5. Add the milk to the slightly cooled mixture in the saucepan, and beat well with a wooden spoon until all the ingredients are blended together.

6.  Carefully add the contents of the saucepan to the ingredients in the mixing bowl and stir thoroughly.

6. Lightly beat the eggs.  Add to the mixing bowl.  Blend until it looks like a loose batter.

7. Pour into the tray and place in the center of the oven for about 1 hour.  The parkin will turn a dark brown color and spring back to the touch when cooked.

8.  Leave inside the tin until completely cold.

Hint: Parkin should be wrapped in greaseproof paper and stored in an airtight container for at least a day before cutting up and eating.  It keeps for about 2 weeks, growing moister and richer with time!

Shakespeare’s Recipe For Disaster

In Act IV – Scene I of Macbeth, Shakespeare’s three “weird sisters” prepare a “hell-broth” to produce a series of apparitions for Macbeth that set in motion a chain of deadly events.  Written only six years before the Lancashire Witch Trials, this script provides a good insight into some of the magical beliefs of that time.

 

out of; (c) Royal Shakespeare Company Collection; Supplied by The Public Catalogue Foundation

“Round about the cauldron go;

In the poison’d entrails throw.

Toad, that under cold stone

Days and nights hast thirty one

Swelter’d venom sleeping got,

Boil thou first i’ the charmed pot.

Double, double toil and trouble;

Fire burn and cauldron bubble.

Fillet of a fenny snake,

In the cauldron boil and bake;

Eye of newt, and toe of frog,

Wool of bat, and tongue of dog,

Adder’s fork, and blind-worm’s sting,

Lizard’s leg, and howlet’s wing,

For a charm of powerful trouble,

Like a hell-broth boil and bubble.

Double, double toil and trouble;

Fire burn and cauldron bubble.

Scale of dragon, tooth of wolf,

Witches’ mummy, maw and gulf

Of the ravin’d salt-sea shark,

Root of hemlock digg’d i’ the dark,

Liver of blaspheming Jew,

Gall of goat, and slips of yew

Sliver’d in the moon’s eclipse,

Nose of Turk, and Tartar’s lips,

Finger of birth-strangled babe

Ditch-deliver’d by a drab,

Make the gruel thick and slab:

Add thereto a tiger’s chaudron,

For the ingredients of our cauldron.

Double, double toil and trouble;

Fire burn and cauldron bubble.

Cool it with a baboon’s blood,

Then the charm is firm and good.”

The Jacobean audience believed that witches brewed such diabolical charms, and seeing this dramatic scene live on stage they would likely have been terrified, fascinated, mesmerized, and revolted by the disgusting ingredients – exactly as Shakespeare intended.  But let us take a closer look at his recipe.

The bard was not only a master playwright, he was also a shrewd psychologist who understood the minds of the masses who flocked to the London theatres. Therefore, it is not surprising that one of the first things thrown in the pot is the fenny snake, a nod to the snake who tempted Eve in the Garden of Eden.  The Catholic Church claimed that all women were necessarily evil because of Eve’s transgression, and that explains why the majority of accused witches were female.  The next three ingredients – eye of newt, toe of frog, and wool of bat – are added to the first item swelter’d toad venom – highlighting four nocturnal creatures that are often associated with witches and their familiar spirits.  The liver of blaspheming Jew endorses the common anti-Semitic beliefs of that era, alongside the racial prejudices held against the Turk and Tartar.  And Shakespeare further played into the beliefs of his class-conscious, biased audience by having a good man like Macbeth brought down by his scheming wife and a band of wicked hags.

A country audience, however, may have interpreted Macbeth’s cauldron quite differently from the royal courtiers and city dwellers.  Many of these exotic ingredients are actually poetic variants on the common names for herbs.  Fenny snake = chickweed; Eye of newt=mustard seed; Toe of frog = frog’s foot or bulbous buttercup; Wool of bat = bog moss; Tongue of dog = hound’s tongue; Adder’s tongue = adder’s tongue fern; Lizard’s leg = ivy; Howlet’s wing = henbane; Scale of dragon = dragonwort; Tooth of Wolf = wolf’s bane; Hemlock root = hemlock; Liver of Jew = Jew’s myrtle or box holly; Gall of goat = St. John’s Wort or honeysuckle;  Slips of Yew = yew tree bark; Nose of Turk = Turk’s cap; Tartar’s lips = ginseng or tartar root; Tiger’s chaudron = lady’s mantle; and the Finger of birth-strangled babe= foxglove, also known as “bloody fingers”.   The remaining items – toad venom, powdered mummy, shark, and baboon’s blood – were all widely thought to have medicinal properties.

Why did Shakespeare choose these fierce-sounding ingredients?  Joyce Froome (Wicked Enchantments) argues that, for the wise women of Pendle, these herbs would be part of their everyday folk magic.  Catt Foy (Witches & Pagans) suggests that maybe “Shakespeare knew a little more about herbcraft than he was letting on,” and Nigel Beale (Literary Tourists Blog) believes he chose names “designed to gross out the masses, to stop them from practicing magic.”

But William Shakespeare was  also a poet.  He knew the magic of words and  rhythmical power of his hypnotic witch chant.  It did not matter that these characters may have been throwing armfuls of common hedgerow roots and leaves into a boiling cook pot.  Much more important were the awful-sounding names that conjured up terrifying images in the minds of his audience – and at this he was an unsurpassed wizard!

Witch Circle

Sources:

Beale, Nigel. “Macbeth and what was in the Witches Brew” (Literary Tourist) http://literarytourist.com/2009/10/macbeth-and-what-was-in-the-witches-brew/ accessed 2/2/2015

Foy, Catt. “A Witch’s Brew: Recipe by Shakespeare” in Witches & Pagans #29 (Oregon: BBI Media, Spring, 2014) pages 24-26.

Froome, Joyce. Wicked Enchantments: A History of the Pendle Witches and their Magic (Lancaster: Carnegie Books, 2010)

Stuart, Malcolm. The Encyclopedia of Herbs and Herbalism (London: Macdonald & Co., 1987)

The Scrying Game

Since the days of the Ancient Persians, wizards, witches, and Romany gypsies and have sought for ways to look beyond the familiar world around them.  Cunning folk have stared into fire, water, polished stone, magic mirrors, and crystal balls, seeking divination of hidden knowledge – visions of future events – or clairvoyant arts to find lost objects and detect criminals.

Scrying is a common Celtic practice too.  It comes from the Old English word descry and means to make out dimly or to reveal the past, present, or future.  Used to detect chaos, evil, good, and magic, scrying often brings a message.  The seer goes into a trance and uncovers a series of hidden images, rather like a movie playing inside their skull.  But the visions are symbolic and need interpreting, which is a skill that is only learned and honed over time.

Look into Kit’s crystal ball below.  I see you – if you see me too then perhaps you’ve also got the gift!

Crystal ball

Lancaster Castle

Since 1093, Lancaster Castle has protected the north of England from a Scottish invasion.  Built on the site of an old Roman fort, it was confiscated by the Crown following an unsuccessful rebellion against King Henry I.  Today it belongs to Her Majesty, Queen Elizabeth II.

Lancaster Castle has a long history of dealing with criminals.  The first Assizes (law courts for serious cases) began in 1166 and were held twice each year.  And although the castle is still used as a Crown Court today, it recently stopped serving as a prison in March, 2011.

CastleThe trials of the Lancashire Witches took place within these walls on two days of August, 1612.  According to local legend the prisoners endured horrific conditions while imprisoned in the dungeons of the Well Tower.  One of the matriarchs – Old Demdike – did not survive her incarceration.  It is also estimated that around 200 official executions took place here over the centuries.

Lancaster Castle is a fascinating tourist attraction for anyone interested in medieval history, crime and punishment, witch hunts, religious persecutions, and British heraldry.  Yet children growing up in the area were told, No one comes out of that place the same way they went in – most of the prisoners supposedly turned mad.

Today, the gray daunting castle still dominates the quaint city of Lancaster from its perch on the top of the hill.

And within its chilly walls lie many dark, unspoken wonders.

 

Source Material:

Champness, John.  Lancaster Castle: A Brief History (Lancashire: Lancashire County Books, 1993)

Witches Galore: The Real Deal

One of the most popular gift shops in the world is Witches Galore, an enchanting magic store nestled close to Pendle Hill at Newchurch-in-Pendle.

 

Witch Shop Michael Ely Photograph by Michael Ely

 

Witches Galore

14 Newchurch Village, Newchurch-in-Pendle, Burnley, BB12 9JR, United Kingdom 

(Telephone: 01144-1282-613111)

Tourists paying a visit are greeted by a coven of life-size hags, who instantly weave their charms to lure the customers within!  Open seven days a week from 11am – 5 pm, Witches Galore offers an eclectic mix of information, games, and souvenirs.  There are mugs, ceramic wall plaques, tea-towels, fridge magnets, and jewelry related to the Pendle Witches, alongside a variety of books based specifically on Lancashire history, and a miscellaneous collection of magic items such as tarot packs, chalices, scrying bowls, skulls, and so forth.

But unique to this store is their expansive collection of beautifully-crafted witch models.  This one I ordered on-line (see below) is named after one of the Pendle Witches: Jennet Device.

Jennet

And this doll was bought several years ago when I was in the area:

Ali

The individual details are amazing.  I have never seen cloth-and porcelain figures of this quality anywhere else.

For a closer look inside Witches Galore check out this cute AffieFilms video with Cassie and Pippa (The Monkey Dogs).  There is also some great location footage at the start and end of their short YouTube adventure.  Enjoy!

Kit’s Crit: The Wise Woman (Philippa Gregory)

Gregory

The Wise Woman by Philippa Gregory

This historical fiction begins in 1540 and follows the tragic life of seventeen-year-old Alys, a young peasant girl in Tudor England.  Alys grew up on the moor with a harsh foster-mother called Morach, the local wise woman.  But turning her back on superstition and the pagan arts, Alys decides to join a nunnery.  For a time she finds contentment in this orderly sanctuary.  She enjoys the rigid structure, comparative luxury, and the safety afforded to the Holy Sisters.

But Alys happiness is short lived.  One night the monastery burns to the ground, a casualty of King Henry’s Reformation, and the young woman is summoned to the local castle to work as a scribe for the ailing lord of the manor.   Here she falls in love with his married son and heir, Lord Hugo.  She grows intently jealous of the Lady Catherine, and seeks to replace her in Hugo’s bed.  Calling on all the cunning tricks she recalls from living with Morach, Alys devises a difficult, disturbing plot to gain her heart’s desire.  At this point the novel slips into magical realism.

Gregory’s story has many Faustian overtones.  Alys conjures up the powers of darkness to possess the man she fixates on, aware that her actions are prompted by self-promotion rather than genuine love.  By the end of the book the Wise Woman is exposed as self-centered, unlikable, and evil – and therefore she meets with a hellish end.

The Wise Woman can also be read as a morality tale.  Although Alys is a victim of historical circumstance, feudalism, and gender, she serves as a warning against forbidden love and obsession.  She tries to take the rightful place of another woman – a place where she can never truly belong.  Alys discovers she has the power to unleash terrible things on the world, but by the time she realizes she has little control over them, it is too late to go back.  She sinks further and further into witchcraft.

I enjoyed the atmospheric setting of Gregory’s novel, and not expecting to sympathize with the central characters I was pleased to find them portrayed in a refreshingly honest way – warts and all!  The historical research is sound and convincing, and any book set in the medieval era must acknowledge the common superstitious beliefs of that time.

This is not a feel-good story.  It suggests everything in Alys’ world is a sham – magic, life, love, faith, and family.  But one of the great joys of reading is the ability to close the book at any point and find yourself back in the twenty-first century!

Olde Scottish Shortbread

Olde Scottish Shortbread is a delicious, buttery biscuit everyone loves! This makes 8 fingers (as in the photograph) or an 8″ round that can be cut into 8 triangles.

Shortbread

Ingredients:

3oz butter

2oz sugar

3oz plain flour

1oz cornflour

Method:

1. Heat the oven to Gas Mark 4, 350 F, 180 C.

2. Lightly flour a baking sheet or pan.

3. In a large bowl cream (whisk) the butter with 1 oz of sugar, work in the flour and cornflour, then add the remainder of the sugar.

4. Knead well until a smooth  dough forms.

5.  Shape into 8 fingers and place on baking sheet OR press entire dough into the floured 8″round baking pan.

6. Cook for approximately 20 minutes in the center of the oven.  Remove from the heat.  Cool in the tin.

Extra Suggestions:

* Jammy Shorts: Make 8 rounds (instead of 8 fingers).  Press thumb in center of raw dough.  Add a half-spoon of raspberry jelly. Bake as above.

* Fruit Sunflower: Cover a round of cooked shortbread with fresh fruit slices (peach, strawberry, raspberry, blackberry, pineapple) and scoops of vanilla ice cream.  Sprinkle with chopped nuts.  Serve at once.

* Shortbread Surprise: Add 1oz of glace cherries, raisins, chocolate chips, OR macadamia nuts to the raw dough.  Stir and knead well.  Cook as above.

Anne Boleyn, the Witch: Part Four

Anne Boleyn 4

 Witch Crime #4: Anne Boleyn was presented as a seductress by her early suitor, Sir Thomas Wyatt.

In Poem XI he writes –

“Whoso list to hunt, I know where is an hind,
But as for me, hélas, I may no more.
The vain travail hath wearied me so sore,
I am of them that farthest cometh behind.
Yet may I by no means my wearied mind
Draw from the deer, but as she fleeth afore
Fainting I follow. I leave off therefore,
Sithens in a net I seek to hold the wind.
Who list her hunt, I put him out of doubt,
As well as I may spend his time in vain.
And graven with diamonds in letters plain
There is written, her fair neck round about:
Noli me tangere, for Caesar’s I am,
And wild for to hold, though I seem tame.”
Wyatt is thought to be describing his own romantic pursuit of Mistress Anne, in direct competition with the reigning “Caesar” (King Henry).  With his characteristic play on words he presents “an (Anne) hind (deer)” – “Dear Anne” as their beautiful prey.  But as Karen Lindsey points out, “everyone knew what happened to the wild creature at the hunt’s end”(59) – it was captured, possessed, and destroyed.  Further, by alluding to the ingrained imagery from the Malleus Maleficarum, Wyatt’s line, “Sithens in a net I seek to hold the wind” unfortunately conjured up the witches described by the two Catholic Inquisitors: “Their face is like a burning wind . . . and when it is said that her heart is a net, it speaks of the inscrutable malice which reigns in their hearts” (46).  Yet while Wyatt’s word-choice was most likely an unconscious literary device intended to portray the beloved as an illusive free spirit, his subliminal portrayal of Anne as a wild woman was not in her best interests, especially when the courtiers familiar with the Malleus, who had access to his early manuscript poems, were most likely the same men who sat at her trial.  The pretty doe of the hunt soon turned into a dangerously seductive temptress.
Even Wyatt’s enigmatic riddle (Poem LIV) implicates the Queen –
“What word is that that changeth not,
Though it be turned and made in twain?
It is mine answer, God it wot,
And eke the causer of my pain.
It love rewardeth with disdain:
Yet is it loved. What would ye more?
It is my health eke and my sore.”
Again, not intentionally associating his “answer” (Anna, sir) with witch craft, the poet’s ambiguous phrasing lends itself to a potentially sinister interpretation.  For although both the “causer of my pain” and “my sore” are common terms from the Courtly Tradition, they are also reminders of the Inquisitor’s warning  that, “a woman is beautiful to look upon, contaminating to touch, and deadly to keep” (46), and one of her many “injuries towards men” is the agony of “bewitching into an inordinate love”(47).  Wyatt’s poems stand in acknowledgement of Anne Boleyn’s seductive powers.  They may further have reminded her enemies of the old Queen Catherine because of this statement from the Malleus: “. . . how many adulterers have put away the most beautiful wives to lust after the vilest of women!” (51).
Perhaps one of Wyatt’s most damning poems is XXV –
“The lively sparks that issue from those eyes
Against the which ne vaileth no defence
Have pressed mine heart and done it none offence
With quaking pleasure more than once or twice.
Was never man could anything devise
The sunbeams to turn with so great vehemence
To daze man’s sight, as by their bright presence
Dazed am I, much like unto the guise
Of one ystricken with dint of lightning,
Blinded with the stroke, erring here and there.
So call I for help, I not when ne where,
The pain of my fall patiently bearing.
For after the blaze, as is no wonder,
Of deadly ‘Nay’ hear I the fearful thunder.”
 
It is thought that “The lively sparks” may be a reference to Anne Boleyn’s “striking and unusual” dark eyes (Chapman, 21).  The second line, “Against the which (witch) ne vaileth no defence,” suggests that the lover has no protection against the sorceress, and the phrase, “Have pressed mine heart ” recalls one of the punishments dealt to witches when their bodies are “pressed” under heavy stones to extract a confession.  The speaker of the poem is “ystricken with dint of lightning” as if falling under a spell, and though he should say “Nay”(No), her power over him is too strong to resist. Ironically, this young man’s heart-felt love poems may have helped pave the way for his sweetheart’s execution.
It is doubtful if any of the Queen’s friends actually believed she was a witch.  And though she was condemned for treason and adultery, her own conscience was apparently clear.  Shortly before her death Anne told her jailor that she “would be a saint in Heaven, because I have done many good deeds in my days” (Lindsey, 100).   But unfortunately, over the centuries,  Wyatt’s damning words have reached far more ears than her last cry of innocence.
Sources for Part Four:
Chapman, Hester W. Anne Boleyn (London: cape, 1974)
Kramer, Heinrich; and James Sprenger. The Malleus Maleficarum (New York: Dover, 1971)
 (Worldwide: Addison-Wesley, 1996)
Wyatt, Thomas. The Complete Poems Ed. R.A. Rebholz. (Worldwide: Penguin,1978)

Anne Boleyn, the Witch: Part Three

 

In today’s enlightened age, few would believe that Anne Boleyn was actually guilty of witchcraft.  She may have had traces of an extra nail growing on her little finger, and possibly a mole on her neck, as reported by early biographer George Wyatt (grandson of Sir Thomas) who based his information from interviews with Anne’s former attendants.  But who does not have any form of blemish on their body?  Such flaws were obviously acceptable to King Henry when he desired her, but they appear to have been greatly magnified by her detractors in later years.  By the time Nicholas Sanders gave his account a half-century later, the disgraced Queen was said to have buck teeth and a whole extra finger on her right hand!  Yet the remains of a body thought to be Anne Boleyn’s, exhumed in the nineteenth century, showed no signs of skeletal abnormality.  Of course, after three hundred years there would be scant trace of a mole or extra finger-nail remaining, but the evidence suggests that any imperfections Anne had were minor. So why were they interpreted as signs of devilry? A clue may be found in the English language.

 Boleyn 2

The Malleus Maleficarum states that “The word ‘woman’ means ‘the lust of the flesh'”(43), which today can be understood as a psychological projection of blame onto the object of male desire.  Women were seen as fickle, seductive creatures who would lead good Christian men astray.  They made easy prey for demons to recruit, and then these familiar spirits would claim their victims with “witches marks” (moles, skin tags, supernumerary nipples, or birth marks) – places on the body where they could suckle human blood.  Therefore every sexually-active woman was potentially the devil’s gateway. 

Unfortunately, the dual concepts of wickedness and blame worked their way into everyday language.  If a man found a woman attractive it was because she was consciously bewitching, beguiling, enchanting, charming, captivating, or seductive.  Now as part of every day speech, such terms were harmless.  But when certain courtiers wrote them into love songs and sonnets, then  they became exceedingly dangerous.  Especially for a suspect Queen.

It seems unlikely that Sir Thomas Wyatt (1503-1542) and Anne Boleyn ever consummated their close relationship, despite the fact he was an ardent suitor of Mistress Boleyn before King Henry started noticing her. With the reputation for being one of the best poets of his age, Wyatt used clever wordplay and an ambiguous “I” speaker in the poems thought to have been written with her in mind: “Whoso list to hunt, I know where is an hind,” “What word is that that changeth not,” “If waker care, if sudden pale colour,” and “Sometime I fled the fire that me brent.”  The poet was arrested in May 1536, charged with committing adultery with the Queen.  Five other men were also accused, but he was the only one who escaped execution – proof enough that Henry believed his relationship with Anne was platonic.

And yet the beautiful words in Wyatt’s love sonnets may have ultimately  helped to condemn his lady.  Find out how in Part Four.

Sources for Part Three:

Daalder, Joost.  Sir Thomas Wyatt: Collected Poems  (Worldwide: Oxford UP, 1975)

Foley, Stephen Mirriam. Sir Thomas Wyatt (Boston: Twayne, 1990)

Kramer, Heinrich, and James Sprenger. The Malleus Maleficarum (New York: Dover, 1971)

Wiatt, William H. “Sir Thomas Wyatt and Anne Boleyn” in English Language Notes, Vol. VI (December, 1968). Colorado: U of Colorado, 1968. 94-102.

Anne Boleyn, the Witch: Part Two

 

The Malleus Maleficarum stated that, aside from fornication, “the chief aim of the devil is to corrupt faith” (43), which the English Catholics interpreted as the influx of Lutheranism coming from Henry’s break with Rome, after his marriage to Mistress Boleyn.  Bluff King Hal was  beyond reproach, but his concubine was not.  Anne – an intelligent, radical thinker with her own ideas about religion – became a rallying point for the Reformers.  However, Katherine Lindsay’s book Divorced, Beheaded, Survived points out there was no record of the queen “denying the doctrine of transubstantiation, one of the central Protestant concerns,” and she clung to the Catholic notion that “good works could assure a place in Heaven,” as opposed to the Lutheran “insistence on justification by faith” (100).  It seems evident, therefore, that the queen believed herself to be a good Christian.  But the plotting courtiers painted her in an entirely different light.

Witch Crime #2: Anne Boleyn was suspected of being a key player in a diabolical plot to overthrow the Church of Rome.

Boleyn 3

Archbishop Chapuys reported to his employer (Emperor Charles V) that His English Majesty was “bewitched by this cursed woman . . . does all she says, and dare not contradict her” (Chapman, 151).  For as Alison Weir explains in The Six Wives of Henry VIII, Cromwell had told him the king “made this marriage seduced by her witchcraft, and for that reason he considered it null and void” (304).  The Malleus decreed that “if witchcraft takes effect in the event of a marriage” it “destroys the contract” (4).  This gave the unhappy husband a loophole to be rid of Anne so he could wed Jane Seymour instead.   By itself, however, enchantment was not a sufficient reason to execute a royal wife.  Other charges were needed.  So as the case against Anne grew she became accused of “having poisoned the late Queen Katherine [and] attempting to do the same to Lady Mary” (Weir, 326) – which on top of the multiple counts of adultery, including incest with her brother, amounted to the heinous crime of witchcraft.

Exodus 22:18 commands, “Thou shalt not suffer a witch to live,” and the Catholic Inquisitors were quick to condemn all women as inherently wicked “because of the first temptress, Eve, and her imitators” (Malleus, 44).  According to Pierre Brunel’s Companion to Literary Myths, Heroes, and Archetypes the sorceress became “the core, the center of all that cannot be understood or accepted.”  She attracted fear, hatred, and loathing until she was no longer seen as a human being but instead turned into “the expression and cause of the misfortune” suffered by all (1165). In short, the cunning woman became the royal scapegoat.

Witch Crime #3: Being an instrument of darkness, Anne Boleyn was directly and indirectly responsible for all the wrongs in the kingdom.

Yet who did the most damage to the Queen’s reputation?  The answer may surprise you!  Check back for Part Three on Thursday.

Sources Cited in Part Two:

Brunel, Pierre. Companion to Literary Myths, Heroes, and Archetypes (London and New York: Routledge, 1992)

Chapman, Hester W. Anne Boleyn. (London: Cape, 1974)

Holy Bible (London: Collins)

Kramer, Heinrich, and James Sprenger.  The Malleus Maleficarum (New York: Dover, 1971)

Lindsey, Karen. Divorced, Beheaded, Survived (Worldwide: Addison-Wesley, 1996)

Weir, Alison. The Six Wives of Henry VIII (New York: Ballantine, 1993)

Anne Boleyn, the Witch: Part One

Boleyn 1

How could anyone believe that the crowned Queen of England was a witch?  Of all the accusations made against Anne Boleyn (c. 1501-1536) this seems the strangest to the modern observer.  But the Tudors were more than willing to accept the king’s second wife was guilty of a whole list of diabolical crimes.  Let us examine why.

Although witches had been persecuted for over a hundred years on the European Continent, the first statute was not passed in England until 1542, when the Catholic clergy persuaded their congregations that Satan’s army was on the march.  This was likely the direct result of the widespread distribution of the Malleus Maleficarum (1486) – the prominent and damaging witch-finder manual written by two German Inquisitors, Heinrich Kramer and James Sprenger.  The Malleus  was intended to halt pagan practices, but instead it triggered a wave of witch hunts that resulted in countless innocent deaths.

James Sharpe, in Instruments of Darkness, explains how the Reformation caused similar concerns among the early Protestants because “Idolatry included not only witchcraft but also the telling of the rosary, going to Mass, and saint worship” (27).   But while Catholicism and sorcery were the twin evils in the early Lutheran mind, the Papists thought Protestants and witches were heretics too.  And as Hester Chapman’s biography claims, it was not a huge leap for the Catholics to see Anne Boleyn as the temptress whose “advent had brought about disaster on the kingdom.  She was the personification not only of evil, but of an assault on religion, crops, cattle, fair weather – every aspect of daily life” (106).

Unfortunately Mistress Boleyn was an easy target.  An unconventional beauty, her enemies claimed she bore the mark of the devil from birth in an extra finger (or finger nail), and that she had numerous moles, which were widely associated with wicked women.  But as Antonia Fraser reveals in The Wives of Henry VIII , as a mature lady she “exercised a kind of sexual fascination over most men who met her” (123).   Anne was condemned for adultery with several others, but because the cuckolding of a king had no legal precedent, this alone was not a Capital offence.  So Thomas Cromwell had to imply hundreds of liaisons between Boleyn and her lovers because the Malleus claimed “all witchcraft comes from carnal lust which is in women insatiable”(47). If she could be proven to be a lascivious witch – especially one who intended to use magic to harm or kill members of the Royal Family – then she could be sentenced to death.  Not for witchcraft per se (because laws against this specific problem had yet to be passed in Henry’s reign)  but rather for the ambiguous, treasonable act of betraying the sanctity of marriage and entertaining malice against the king.

Witch Crime #1: Anne Boleyn was a wicked seductress who intended to harm the royal Defender of the Faith and destroy his Christian kingdom.

Part Two tomorrow . . .

 

Sources Cited in Part One:

Chapman, Hester W. Anne Boleyn (London: Cape, 1974)

Fraser, Antonia. The Wives of Henry VIII (New York: Random, 1994)

Kramer, Heinrich, and James Sprenger. The Malleus Malficarum (New York: Dover, 1971)

Sharpe, James. Instruments of Darkness: Witchcraft in England, 1550-1750 (London: Hamish Hamilton, 1996)

Olde English Flapjack

English Flapjack

Olde English Flapjack

Ingredients:

8oz butter

4oz sugar

 4 big tablespoons of Lyle’s Golden Syrup

1lb porridge oats

Method:

1. Heat the oven to 250 / 130 / gas 1.

2. Grease a 8″x 8″x 2″ metal baking pan with a nub of the butter.

3. In a large pan stir the remaining butter, sugar, and syrup on a stovetop over a low heat.

4. Add the oats and salt.  Stir well.

5. Press the mixture evenly into a greased baking pan.

6.  Cook in low oven for 1 hour 30 minutes until the side are slightly brown

(the middle will seem uncooked).

7. Remove from the oven.  Cut into 12 pieces. Leave inside the pan until cold.

Do not overcook!  The best flapjack is moist, buttery, and chewy.

Another Lancashire Witch: Meg Shelton

Aside from the infamous Pendle Witches who were put on trial in 1612 and 1634, there were other unfortunate victims maligned and persecuted throughout the Burning Times in Lancashire.  Many of their names were never recorded.  Some were accused and later released – some went to court and were found Not Guilty – and some were undoubtedly dealt with by the locals in their own ways.

In these unenlightened times it was common for women denounced as witches, shrews, and gossips to be locked inside a scold’s bridle – a metal brank that caged the head and prevented eating or speech.

scold

Public floggings and placement in the stocks were also regular market-day events.  And tales of dunking suspected witches in near-by ponds and rivers to see if they were guilty (and floated) or innocent (and drowned) are part of local folklore.  So it is quite surprising that one other name still fills the local schoolchildren with terror – Meg Shelton, The Fylde Hag.

Born Margery Hilton, Meg (or Mag) Shelton is said to have lived at various times in Cuckoo Hall near Wesham, Singleton, Catforth, and Woodplumpton.  She was a poor beggar woman who survived mainly on a haggis made from boiled grouts and herbs.  Meg is infamous for her shape-shifting skills, and apparently could turn into a variety of animals and all sorts of inanimate objects at will.  One tale records her creeping into a barnyard at night to steal corn.  When the farmer ran out after her there was no one in sight, though he did notice an extra sack of corn.  So taking his pitchfork he prodded each bag, finally uncovering Meg’s disguise when she squealed and reappeared nursing a bleeding arm!  Another of her injuries was explained by an accident trying to outrun a black dog when she was disguised as a hare.  The dog nipped the hare’s hind leg – and Meg was said to walk with a limp thereafter.  Meg was often seen riding her broomstick at night.  She could turn milk sour, lame cattle, and  curse hogs.

But the reason folk remember the Fylde Hag today is because of the strange events surrounding her death.  She was killed in 1705, crushed between a barrel and the wall of her cottage.  She was buried on May 2nd, at night, by torchlight, in the grounds of St. Anne’s Church in Woodplumpton.  The following morning her hand had clawed its way to the surface and had to be reburied.  The same thing happened again and everyone was naturally terrified.  A priest came and performed an exorcism.  Then someone suggested they rebury her upside down so she would dig her way to Hell, instead of to the surface.  So they planted her head-first in a narrow trough, and then put a huge granite boulder on top to keep her in place.

In hindsight it seems odd that a known witch would be put to rest on consecrated ground.  Usually they were buried at a crossroad with no signposts so they could not find their way home.  Or their bodies were burned.  And it is entirely possible that the granite stone in  St. Anne’s graveyard is a harmless relic carried down by the ice age.  But superstition is often stronger than common sense – and we all like to believe in a little magic.

Over the centuries, the legend of Meg Shelton has survived and flourished.  I grew up being told that if you walked three times round her grave chanting, I don’t believe in witches, then that hand would rise up from the grave and grab your ankle.  But I cannot say if that actually happens or not as I never dared try!

Shelton Grave

Meg Shelton’s Grave: Photo by Brian Young

Source:

Ashworth, Elizabeth. Tales of Old Lancashire (Berkshire: Countryside,2007)

Blessed Be

Don’t overlook me

   or underestimate my power –

I rock in the darkness of night

   on a misty bower.

Moon

The clouds troll my words

   and carry my message on air –

slashing the canvas of space with

   a shadowy tear.

There’s fascination

   veiled in many disguises –

but some seek only the darkling

   feral surprises.

I glow beyond time

   like an ancient wayward daughter

birthed of the moon  – You can simply

call me an author.

What Do You Believe?

For thousands of years people believed in magic.  They were simple folk – afraid and confused – unable to grasp the world around them.

Sabbat

They struggled to:

* explain natural events

* understand why bad things happened

* barter with fate

* accept their place and rank in society

* influence things around them

* blame unseen forces when things went wrong

* believe in, and belong to, something bigger than themselves

* grapple with supernatural forces and events

* worship a greater power as part of a divine plan

* and find solace in a harsh, unfair world.

 

According to Sigmund Freud, each civilization passes through three distinct stages of development.

In the Magical Phase the primitive does not understand a natural phenomenon like rainfall, but he knows he needs water to survive.  By creating a ritual – rain dancing for example – he believes he can influence the weather to obey his wishes.

As society progresses the community enters the Religious Phase.  The rain-seeking ritual develops into an intricate rite of prayer, song, dance, and sacrifice, whereby the worshippers barter with the gods for their precious water.

But once the mechanics of rainfall are understood as a scientific process of evaporation and cloud formation, that society progresses into the Scientific Phase.  At this point, Freud argues, there should be no more need for religious or  superstitious belief.  “Religion is a system of wishful illusions together with a disavowal of reality” without which the masses “could not bear the troubles of life and the cruelties of reality.”

Was Freud correct though?  Even in today’s super-scientific space age a huge portion of the globe still follows the religious beliefs of their ancestors, and paganism is on the rise.

It turns out science does not have all the answers.  It might satisfy the mind but it cannot soothe the wounded soul!

Source:

Freud, Sigmund. The Future of an Illusion.  New York: Norton, 1989.

Shape-shifting

A shape-shifting spell from the Scottish wise woman, Isobel Gowdie:

I shall go into a hare,

With sorrow, and sigh, and much care;

And I shall go in the Devil’s name,

Aye while I come home again.

I shall go into a cat,

With sorrow, and sigh, and sudden pain!

And I shall go in the Devil’s name,

Aye while I come home again

I shall go into a crow,

With sorrow, and sigh, and convulsion!

And I shall go in the Devil’s name,

Aye while I come home again.

Shape-shifter

Adapted from Joyce Froome’s book, Wicked Enchantments (Lancaster: Carnegie, 2010)

Paws For Thought

Black cat         The phrase domestic cat is an oxymoron” (George F. Will)

Ever since hunting communities turned to farming, the advantages of keeping cats around was obvious – they kept down the rodents that ate the precious grain supplies.  As cats became more domesticated people grew fond of these playful balls of mischief and started making them pets.  Cats were revered by the Egyptians, Chinese, Japanese, Indians, Romans, and Vikings for hundreds of years.  If a black cat crossed your path you would be lucky, and to dream of this creature was a good omen.  Mummified cats were buried in houses as a spiritual protection against rats and mice.  But something happened in the Middle Ages that changed public opinion so that cats suddenly became demonized and were actively persecuted.  Why did this happen?

Evil Dukie 2

The cat is an ambivalent creature, wild by nature and perhaps never fully tamed.  They are not easily befriended, roam about in the night, and are sexually promiscuous.  Cats are stealthy, sneaky, silent, clever, inquisitive, and almost invisible in the darkness – except for their scary eyes.  All felines are hunters and killers, and their eerie howls and cries can sound quite chilling.  They are said to have nine lives and be difficult to get rid of.  And some old wives’ tales claim cats kill babies – either by sitting on their faces or by sucking the breath from their noses.

The Celts believed cats were the souls of wicked people unfit to be reborn as humans who were changed into animals instead.  Perhaps this notion of evil lived on in the European psyche because when the early medieval witch hunts broke out, common animals became firmly associated with witches – particularly black cats.  Cats were said to be their familiar spirits.   Felines were seen as either shape-shifting witches or devils in disguise, or as the bad souls of former witches reborn.  In 1484, a Papal decree denounced all cats and their owners as devil-worshippers, opening the floodgates for The Burning Times to begin.

Evil Zig

This persecution lasted hundreds of years.  And just as the cunning folk were condemned to terrible deaths, so too were their pets.  Thousands of cats were hunted down during Lent and burned on huge public bonfires.  At the coronation of Queen Elizabeth I (1558) live cats were stuffed inside a wicker effigy of the pope and set ablaze.  It is said that loud songs and music were used to drown out their pitiful howls, but no one spoke out against the atrocity because cats were the most feared and reviled of all common animals.

The Age of Enlightenment gave rise to a more logical and scientific way of thinking that eventually overcame these fears and superstitions.  And when people started questioning the existence of witchcraft they began seeing cats through different eyes too.  They were no longer the public enemy.

As a life-long cat owner I have grown to appreciate the independence and intriguing ambiguities of my kitties, but if yours ever lets you think they are truly domesticated – enjoy the illusion!

The Hill

There are few place in England older or shrouded in more mystery than Stonehenge.  The famous stones in Wiltshire have aroused much speculation throughout the centuries – that they were built by alien gods – conjured up by Merlin – designed by the Druids for ritual sacrifices – or are part of a mystical system of Ley Lines.  This magic circle still draws thousands of tourists every year from all parts of the globe.  It is a place of natural energy and stunning design.

Stonehenge  But there is another place of wonder in the North of Britain, far more ancient and equally fascinating, called Pendle Hill.  Almost the size of a mountain, it rises 1,829′ above sea level in the Pennine Range, separating the ancient seats of Lancaster (Lancashire) and York (Yorkshire).

Hill

The hill is a place of stark, feral beautiful, often mysteriously shrouded in mist.  A Bronze Age burial site has been discovered on the summit, and it is said that the Druids once lived close by.  For as long as men and women worshipped the rising sun there have been celebrations on this thirsty earth, a soil demanding human blood.  There are rumors of wicker-man sacrifices – fertility rites to bring in the spring – priestesses who could raise storms and conquer invading enemies.  Even the great Julius Caesar admitting to fearing these weird conjurers.

Although little of Pendle’s history is certain before the Norman Conquest, the land was then given to the De Laceys and they established two “royal” hunting grounds, one in the Forest of Pendle and the other in the Forest of Trawden.  Throughout the Middle Ages  this area was a center for sheep farming and wool production, and despite Henry VIII’s Reformation the people clung to their old beliefs – probably a little Celtic paganism mixed with Catholic ritual and a hefty dose of superstition.

It is still an awesome place today.  From the top of the cairn you can often see as far as the sea.  The air tingles with a hidden current, like the pulse of an ancient heartbeat.  This peculiar energy cannot be explained but it has been interpreted in two important, yet widely opposing ways.  In 1652 George Fox climbed to the top of Pendle Hill and had a vision of many souls coming to Christ. This compelled him to start the Quaker Movement and dedicate his life to the service of God.

A few years earlier, however, this same land was thought to be riddled with witches and demons, which triggered the Lancashire Witch Trials of 1612 and 1634.

If you are ever in Lancashire, it is well worth a visit!

 

Olde English Hotpot

Hotpot was traditionally cooked in a cauldron on an open fire.  Nowadays it’s made in a non-stick pan on the stove.

Hotpot

Ingredients:

Large can of best Stewing Steak

5lbs potatoes

1lb carrots

2 large onions

2 cups beef stock

2oz butter or margarine

Salt

Black pepper

Method:

1. Peel all the vegetables.  Fry the chopped carrots and onions together in the melted butter or margarine until soft.

2.  Add the Stewing Steak.  Stir well.

3. Cut the potatoes into 1-2″ cubes and add to the pot.  Stir well.

4. Cover over the top of the potatoes with beef stock (adding more water if necessary).

5.  Bring to the boil.  Reduce to a low heat.  Simmer for 1-2 hours until the mixture is reduced and all of the vegetables are fully cooked.  Stir frequently.

Serve with red cabbage, pickled onions, mushy peas, or crusty bread.

Enjoy!

A Brush With Power

What do you call a motorbike that belongs to a witch?   

A brrroooommmm stick!

witch_on_broomstick_2[1]

 

According to folklore, witches fly on broomsticks to meet with other members of their covens.

Broomstick handles are made from strong woods like hazel or oak, and the bristles are usually birch twigs tied up with strips of willow bark.  It is the only magic tool considered to be both masculine (the handle) and feminine (the bristles).

Brooms have long been connected to women and domestic work.  They perhaps became associated with magic from the Beltane (May Day) tradition of blessing the fields. In many farming communities the women rode brooms around the newly-planted crops, leaping as high as possible to encourage tall growth and a good harvest.

Jumping the Broom is a common practice in pagan wedding ceremonies.  It represents the joining of two households by the crossing over from one to the other.

Yet witches have several other uses for this tool:

* The broomstick is used in cleansing ceremonies, to sweep away negative energy from the magic circle and help prepare the workspace.

* In the days when wise women were persecuted, its bristles made a good place to hide a forbidden magic wand.

* When hung on a wall it protects the home from unwelcome visitors.

* If placed under a bed it brushes nightmares away.

* And in even in today’s modern world there are many who still touch wood when seeking good luck.

But what does a witch do when her precious broom breaks?

Well then she has to witch-hike!

Sources:

Blake, Deborah.  “The Witches’ Broom” in Witches and Pagans #29  (Oregan: BBI Media, 2014)

Froome, Joyce. Wicked Enchantments: A History of the Pendle Witches and Their Magic  (Lancaster: Carnegie, 2010)

In The Beginning . . .

Throughout the Middle Ages,Lancashire was ripe with tales of cunning folk.  In 1595 a conjure man called John Hartley convinced the Starkies of Huntroyde that seven members of their household were possessed by demons.  The Starkies were related to Roger Nowell, a Justice of the Peace from nearby Read who spearheaded the infamous Lancashire Witch Hunts of 1612.

Devil

James 1st became King of England in 1603 – the same year Jennet Device was born into the Demdike Clan at Malkin Tower – and the same year that a terrible plague swept the land.  Two years later Guy Fawkes’ Jesuit Gunpowder Plot failed to blow up Parliament, but it did trigger a nation-wide persecution of priests at a time when Lancashire was still a Catholic stronghold.

Witches, ghosts, and boggarts were a part of English folklore, inspiring many weird and wonderful tales that included Shakespeare’s Macbeth  (1606).  The wise women of Pendle Hill worked the superstitious locals to eek out a meager living.  They offered a wide range of services from basic herbal  medicine to midwifery and abortion – concocting charms, curses, love spells, and potions – claiming they could heal, harm, and foretell the future.

On March 21st in 1612, Old Demdike’s teenage granddaughter – Alizon Device – set off to go begging in Colne.  On the way she met a peddler called John Law who refused to give her the pins she demanded and so she cursed him.  Moments later Law collapsed, paralyzed down one side of his body.  He pointed the finger at Alizon Device and his son went straight to the authorities.  Because Alizon was one of the notorious Demdikes the rest of her family were rounded up for examination and before long, the Lancashire witch hunts had begun.

Do You Believe In Ghosts?

The Ghost Club

sceance

The Ghost Club is the oldest organization dedicated to psychical research.

It was started in 1862 and is still in existence today.

Past members include: Charles Dickins, W.B. Yates, Siegfried Sassoon, Peter Cushing, and many other famous enquiring minds.

Want to join? Check out this link for details: http://www.ghostclub.org.uk/

Happy hunting!

Fear

 

I slid through the gap and into a spiraling whirlpool,

landed inside the gray with a nauseous splash.

Trees stood stripped of dignity, shuddering in the twilight

of winter, naked but broiling with torturous stakes.

Eerie

As branches drowned in the wake of death their fingers pointed

through ripples pungent with sulfur and blue, bruised blood.

Shock took captive my slipping heart, which spluttered against the

ominous fog creeping in to steal my good eye.

 

Chris de Burgh’s A Spaceman Came Traveling

A Spaceman Came Traveling

(Chris de Burgh)

Earth

A spaceman came traveling on his ship from afar,
‘Twas light years of time since his mission did start,
And over a village he halted his craft,
And it hung in the sky like a star, just like a star.

He followed a light and came down to a shed
Where a mother and child were lying there on a bed.
A bright light of silver shone round his head,
And he had the face of an angel, and they were afraid.

Then the stranger spoke. He said, “Do not fear,
I come from a planet a long way from here,
And I bring a message for mankind to hear.”
And suddenly the sweetest music filled the air.

And it went “La la la la la la la la la,
La la la la la la la, la la la la la la la la la.
Peace and goodwill to all men and love for the child.
La la la la la la la la la, la la la la la la la, la la la la la la la la la, oh!”

This lovely music went trembling through the ground
And many were awakened on hearing that sound,
And travelers on the road
The village they found,by the light of that ship in the sky
Which shone all around.

And just before dawn at the paling of the sky,
The stranger returned and said, “Now I must fly!
When two thousand years of your time has gone by
This song will begin once again to a baby’s cry.”

And it goes “La la la la la la la la.
La la la la la la la, la la la la la la la la la.
Peace and goodwill to all men,and love for the child.”
And I hear “La la la la la la la la la la la,
La la la la la la, la la la la la la la la la la la la,
This song will begin once again to a baby’s cry.”

Oh the whole world is waiting – waiting to hear that song again
Standing on the edge of the world.
And the time is nearly here . . .

That song will begin once again, to a baby’s cry.

 

 

Check out this imaginative video version by Artwayfarer:

 

Olde English Christmas Pudding

Christmas Pudding2

Ingredients:

4oz plain flour

2oz breadcrumbs

4oz shredded suet

4oz brown sugar

4oz grated apple

1 grated carrot

4oz mixed fruit peel (candied peel)

3 eggs

4oz currants

8oz raisins

4oz sultanas

2oz chopped dried apricots

4oz blanched chopped almonds

1 lemon – grated rind and juice

1 tablespoon treacle

1/4 pint beer or milk

2 tablespoons brandy

1 teaspoon mixed spice

I teaspoon cinnamon

1 teaspoon grated nutmeg

pinch of salt

nub of butter for greasing pudding bowl

Method:

1. Mix all the ingredients together in a large bowl.  Stir thoroughly.  Cover and leave overnight in the refrigerator.

2. Grease a large pudding bowl.  Add the mixture and press down well.  Cover with pleated greaseproof paper (allowing the pudding to rise and expand) held in place with an elastic band.

3. Place in a steamer and boil for  6-8 hours until the center is cooked through.  Remove wet paper.

4. When the pudding is completely cold wrap in cling-film and store in an airtight container.

To Serve On Christmas Day:

1/4 cup brandy for firing

1 pint whipped thick fresh cream

 

5. Turn out pudding on to a microwave-safe plate.  Heat (full power) in a microwave for 3-4 minutes until steaming.  Place on dining table.

6. Pour over brandy.  Carefully set the alcohol alight with a long match to flavor the pudding.

7. When the brandy burns out the pudding is ready to slice.

8. Serve with fresh whipped cream.

Queen’s It’s A Kind Of Magic

It’s A Kind Of Magic

(Roger Taylor)

Trick

It’s a kind of magic.
It’s a kind of magic.
A kind of magic – no way.
One dream, one soul, one prize,
One goal, one golden glance of what should be.
It’s a kind of magic.
One shaft of light that shows the way.
No mortal man can win this day.
It’s a kind of magic.
The bell that rings inside your mind
Is challenging the doors of time.
It’s a kind of magic.
The waiting seems eternity,
The day will dawn, of sanity.
Ooh, ooh, ooh, ooh.
Is this a kind of magic ?
It’s a kind of magic.
There can be only one.
This rage that lasts a thousand years
Will soon be done.
This flame that burns inside of me,
I’m hearing secret harmonies.
It’s a kind of magic.
The bell that rings inside your mind
Is challenging the doors of time.
It’s a kind of magic.
It’s a kind of magic.
This rage that lasts a thousand years
Will soon be, will soon be, will soon be done.
This is (this is) a kind (a kind) of magic (yeah).
There can be only one – one –  one – one.
This rage that lasts a thousand years
Will soon be done – done.
Magic – it’s a kind of magic.
It’s a kind of magic.
Magic – magic – magic – (magic)
Ha ha ha haa – it’s magic.
Ha, haa.
Yeah, yeah.
Wooh.
It’s a kind of magic!

See Freddie’s performance:

It’s A Kind Of Magic

Contacting The Dead

A séance is an attempt to contact the dead either by conjuring up manifestations of spirits, from messages relayed through a Medium, or via a Ouija Board.

In ancient times only prophets, seers, and Cunning Folk were called on to access with the world beyond death, but after Baron Lyttelton published a book called Communication With the Other Side (1760) ordinary people were drawn to the idea of “penetrating the veil” for themselves.  The popularity of séances soon developed into a new religion called Spiritualism.

The early Spiritualists used a talking board at their camps in Ohio (1886), a device that became known as a Ouija Board.  This tablet gave everyone equal access to the world beyond.  The name Ouija was said to stem from the Egyptian word for good luck, though others have argued it is a combination of the French and German words for yes.  The first commercial board was created in 1894 by Elijah Bond.

ouija board

The flat board is marked with the letters of the alphabet, numbers 0-9, “Yes,” “No,” and “Good bye.”  A moveable marker or planchette – usually made of plastic or wood – spells out words when the participants place their fingers on it.  It is a form of automatic writing.

Over the years this form of communication has been criticized by the Church as a dangerous tool of Satan.  Other users have argued it is simply a harmless parlor game.  And some modern day psychologists claim that the Ouija Board offers a fascinating insight into the minds of the players because they are unconsciously moving the marker according to their own secret thoughts, fears, and desires.  But what do you think?

Have you ever used a Ouija Board?  How well did it work?  Please share your story!

Sources:

Ghost Research Society. “Ouija: Not a Game,” at http://www.ghostresearch.org/articles/ouija.html

Psychicsuniverse.com.  “Holding A Séance: How To Do It Sanely and Safely,” at http://www.psychicsuniverse.com/articles/spirituality/living-spiritual-life/rituals/holding-s%C3%A9ance-how-do-it-sanely-and-safely

Smithsonian.com. “The Strange and Mysterious History of the Ouija Board,” at http://www.smithsonianmag.com/history/the-strange-and-mysterious-history-of-the-ouija-board-5860627/

Wikipedia. “Ouija,” at https://en.wikipedia.org/wiki/Ouija

“I See Dead People!”

Spiritualism: Fact or Fraud?

spiritualism

Spiritualism is the belief that the souls of the dead pass over onto the first Astral Plane, and from there they can communicate via a Medium to warn, guide, and enlighten the living with the observations they have made from beyond the veil. The Medium communicates between the two worlds through séances.  God is the Infinite Intelligence, and when spirits pass over they grow and perfect by moving through a series of hierarchical spheres.

The first Spiritualists were radical Quakers who combined supernatural practices within their own religion. This belief system was hugely popular with middle and upper class Americans and Europeans between 1840 – 1920.  During the American Civil War period a lot of grieving parents tried supernatural sources in a desperate attempt to communicate with their lost sons, including President Abraham Lincoln and his wife Mary.  Another historical surge happened during The Great War too, for similar reasons. Unfortunately, trances, séances, and automatic writing developed into profitable showmanship for paying audiences and therefore became susceptible to widespread fraud.  The Seybert Commission discredited many famous practitioners.

Both Arthur Conan Doyle and Charles Dickens were members of the Ghost Club established in London, 1862.  These men undertook the scientific study of paranormal activities in order to prove or disprove their existence.  During the 1920s Harry Houdini campaigned to expose fraudulent Mediums.  And in 1921 Thomas Lynn Bradford committed suicide hoping to prove the existence of the afterlife, but no communication was ever heard from him again.

Although Spiritualism as a religion has been widely discredited there has been a continuing interest in Spiritual Healing.  This is a holistic practice where the Medium aids a sick person by transmitting curative energy that works with the mind, spirit, emotion, and body of the recipient.  Does it work?

What do you believe?

Sources:

Britannica.com. “Spiritualism,” at  http://www.britannica.com/topic/spiritualism-religion

National Spiritualist Association of Churches. “Religion,” at https://www.nsac.org/spiritualism.php

Wikipedia. “Spiritualism,” at https://en.wikipedia.org/wiki/Spiritualism

Olde English Mince Pies

Traditional Mince Pies used to contain meat, alongside the familiar fruit mixture found today.

Here is my Lancashire adaptation of Jeri Westerson’s recipe for the adventurous to try!

pie

Ingredients:

1lb lean minced beef, boiled thoroughly until reduced to small strands

4 green apples, cored, peeled and cubed into bite-size pieces

1/4lb suet, processed into fine granules

12oz raisins

12oz currants

2 lemons, with rind grated, squeezed, and chopped into small pieces

4oz brown sugar

4 tablespoons black treacle

8oz cooking sherry

8oz cider

8oz brandy

salt and pepper to taste

2 tablespoons mace

2 tablespoons allspice

2 tablespoons nutmeg

2 tablespoons ground cloves

4 tablespoons cinnamon

1lb pastry dough

flour to roll out pastry

1 tablespoon milk to glaze

nub of butter to grease pie dish

 

Method:

  1. Heat the oven 375/ 190 /Gas 5.
  2. Grease a large, deep pie dish.
  3. Place the cooked beef in large bowl.  Add the apples, suet, raisins, currants, lemons, sugar, black treacle, cider, salt, pepper, mace, allspice, nutmeg, cloves, and cinnamon.  Mix well.
  4. Allow the meat to cool. Stir in the sherry and brandy.
  5. Roll out half of the pastry on a floured surface and line the base of the pie dish. Pour in the meat mixture and press flat.
  6. Roll out the lid and seal the edges. Cut steam holes in the top of the pie crust. Glaze with milk.
  7. Bake for 30 – 45 minutes until crisp and golden brown.
  8. Cool on a rack.  Pies can be served hot or cold.

My version varies slightly from Jeri’s.  Check out the original below:

http://www.getting-medieval.com/my_weblog/2012/12/medieval-mince-pie.html

 

 

 

 

Jimi Hendrix’s Purple Haze

Purple Haze

(Jimi Hendrix)

images[7]

Purple haze, all in my brain,
Lately, things they don’t seem the same.
Acting funny, but I don’t know why,
Excuse me while I kiss the sky.

Purple haze, all around,
Don’t know if I’m coming up or down.
Am I happy or in misery?
What ever it is, that girl put a spell on me.

Help me.
Help me.
Oh, no, no!

Ooo, ahhh.
Ooo, ahhh.
Ooo, ahhh.
Ooo, ahhh, yeah!

Purple haze all in my eyes,
Don’t know if it’s day or night.
You got me blowing, blowing my mind.
Is it tomorrow, or just the end of time?

Ooo!
Help me.
Ahh, yea-yeah, purple haze.
Oh, no, oh!
Oh, help me.
Tell me, tell me, purple haze.
I can’t go on like this!
Purple haze.
You’re making me blow my mind.
Purple haze, n-no, nooo!
Purple haze.

Check out this version:

(Picture: Richard Riemerschmid)

The Mystica

untitled

The Mystica

In solitary non-compliant places

the Mystica rise

against the gravitational tug of nature

thwarting mortal will.

Gnarly limbs that grasp into consciousness

press the rub of time.

Their fingers grapple the swollen currents –

blasted and empty –

swimming away from treacherous  sandbanks,

unchecked by any tide.

A mysterious spell-binding graciousness

captivates the eye

and highlights the worn skeletal echoing

of constant pressure.

Their branches lie bare of verdant feathering

yet will bloom again

as they wrestle the constant drownings that

sap land-locked spirits.

Look! Out of even dead apparitions spring

promises of fresh life.

What’s Your Poison? Foxglove!

Did you know:

  • The Foxglove plant has been called Bloody Fingers, Dead Men’s Bells, Witches’ Gloves, and Fairy Glove because of its toxicity.
  • It is part of the Digitalis family.
  • Its attractive flowers have tubular bell-like petals that hang from a long stem.   They blossom in a variety of colors – most often purple, pink, red, white, and yellow – and many have speckled throats.

Foxglove

  • Foxgloves like acidic soil, and because different varieties favor sun or shade they thrive in a range of places from woodlands, moorlands, hedgerows, mountain slopes, and sea cliffs.
  • Since the Eighteenth Century a medicine extracted from the Foxglove plant has been used to treat irregular heart conditions.  A modern derivative called Digoxin is still used by cardiologists today.
  • The entire species is poisonous.  They cause nausea, vomiting, diarrhea, jaundice, altered vision, abnormal heart rates, weakness, seizures, and death.
  • All parts of the plant are toxic to humans, a range of other mammals, and poultry.  Drying does not affect the potency.  Symptoms last 1-3 days but recovery is likely with medical intervention.
  • Vincent Van Gogh’s “Yellow Period” may have resulted from taking a Foxglove medication that was given to control seizures!

Sources:

Botanical.com. “Foxglove,” at http://botanical.com/botanical/mgmh/f/foxglo30.html

MedicinePlus. “Foxglove Poisoning,” at https://www.nlm.nih.gov/medlineplus/ency/article/002878.htm

Wikipedia. “Digitalis,” at  https://en.wikipedia.org/wiki/Digitalis

 

 

Kit’s Crit: The Inferno of Dante (Robert Pinsky)

Dante

Robert Pinsky was the U.S. Poet Laureate from 1997-2000, and therefore my expectations for his translation of Dante Alighieri’s masterpiece The Inferno were very high.  I was not disappointed.

Pinsky recreates the medieval world view of religion and society -the original political subtext – the stunning imagery – and the 3-line interlocking stanzas of the terza rima rhyming scheme to great effect

Staying close to Dante’s intent, Pinsky underscores the symbiotic relationship between poetry and love.  He draws parallels between the narrator’s journey from Hell to Heaven with that of Ulysses’ adventures in Homer’s Odyssey, maintaining the power of the original poetry and making it accessible to the modern reader.  The Italian text is printed alongside the revised translation.

Dante’s work has influenced a wide range of intellectuals from Galileo through to the Modernists of the early 20th Century, particularly T.S. Eliot, Ezra Pound, and James Joyce.  Many artists have chosen to illustrate The Inferno in their own style.  This edition contains 35 interesting monotypes by Michael Mazur, though I personally favor the earlier illustrations of Salvador Dali.

The Divine Comedy: Dante’s Demons

The Divine Comedy is an epic poem written by Dante Alighieri between 1308-1320 AD.  As one of the most influential books ever composed, this religious allegory about the importance of salvation marks the start of Italian literature.

The story begins at Easter in the year 1300.  There are three parts (cantiche) aligning with the Trinity’s Father Son, and Holy Ghost.  They are entitled Hell (Inferno), Purgatory (Purgatorio) and  Heaven (Paradiso).  Each section has 33 Songs (cantos), except for the first part which has 34.  These add up to a total of 100 Songs to represent Dante’s “perfect” number 10 (10 x 10 = 100).

Written in the first person, Dante imagines his soul’s spiritual quest as it ventures from darkness into light.

Dali 1 (Salvador Dali)

“Midway on our life’s journey, I found myself

In dark woods, the right road lost . . .”

The narrator wakes up one day to find himself in the dark forest of sin.  The spirit of Virgil appears and promises to lead him on the path of salvation through Hell, Purgatory, and into  Heaven.  Virgil eventually hands him over to Beatrice (the ideal woman).

Dante’s world is full of monsters and demons.  Each soul is punished according to its former deeds, which range from small self-indulgent transgressions such as a lack of willpower. to violent and malicious crimes.  Hell is portrayed as an underground funnel made up of circles.  At the bottom sits Satan who perpetually gnaws on history’s three worst traitors: Judas, Brutus, and Cassius.  The punishments inflicted on the travelers are vivid and relentless – the stuff of eternal nightmares.  Yet those sinners who have confessed to their crimes before death are eventually permitted to leave Hell and head through Purgatory in search of Heaven.

Purgatory is a mountain made up of 7 rings, with the Garden of Eden at the top.  Once cleansed of their sins, the wandering souls rise up toward Heaven where God appears as a vision of light.

Dante’s morality poem is a tale of justice and retribution.  The wrong-doers are punished for their past crimes with the worst torments imaginable.  They have to suffer alone and abandoned, devoid of help or hope.

Cerberus_Gluttony[1]

So why is this classic called The Divine Comedy when it is a full-blown scary vision of Hell?  Because Dante’s epic has a happy ending and therefore is not considered a tragedy in the standard literary tradition.

Sleep well!

Steve Miller Band’s Abracadabra

Abracadabra

(Daphne Vialletet and Jean Philippe Verdin)

Cute witch

I heat up, I can’t cool down.
You got me spinning
‘Round and ’round.
‘Round and ’round and ’round it goes,
Where it stops nobody knows.

Every time you call my name
I heat up like a burning flame.
Burning flame, full of desire,
Kiss me baby, let the fire get higher.

Abra-abra-cadabra
I want to reach out and grab ya!
Abra-abra-cadabra
Abracadabra!

You make me hot, you make me sigh,
You make me laugh, you make me cry.
Keep me burning for your love
With the touch of a velvet glove.

Abra-abra-cadabra
I want to reach out and grab ya!
Abra-abra-cadabra
Abracadabra!

I feel the magic in your caress.
I feel magic when I touch your dress.
Silk and satin, leather and lace
Black panties with an angel’s face.

I see magic in your eyes,
I hear the magic in your sighs.
Just when I think I’m gonna get away
I hear those words that you always say:

Abra-abra-cadabra
I want to reach out and grab ya!
Abra-abra-cadabra
Abracadabra!

Every time you call my name
I heat up like a burning flame.
Burning flame, full of desire
Kiss me baby, let the fire get higher.

I heat up, I can’t cool down
My situation goes ’round and ’round.
I heat up, I can’t cool down
My situation goes ’round and ’round.
I heat up, I can’t cool down
My situation goes ’round and ’round.

Click on link to watch the live version:

mqdefault[2]

Olde English Scones

Olde English Scones

Cream_Tea[1]  Photo: Ibán Yarza

Ingredients

8oz plain flour (save a little for rolling out dough)

3 teaspoons baking powder

pinch of salt

1oz sugar

2oz dried sultanas or raisins

2oz butter (save a little for greasing tray)

1/4 pint milk

1 beaten egg (save a little for glazing)

Method

  1. Heat the oven to 450 degrees / 230 degrees / Gas 8.
  2. Lightly grease a shallow flat baking tray.
  3. Place the flour, baking powder, and salt in a bowl and stir together.
  4. Rub in the butter until the mixture looks like large breadcrumbs.
  5. Add the sugar and dried fruit.  Stir well.
  6. Mix in the beaten egg and milk to form a soft dough.
  7. Turn out on a lightly-floured surface and knead until the dough forms a large ball.
  8. Roll out to 1″ thickness.  Press out 6-8 rounds with a pastry cutter.  Place the rounds on tray.
  9. Brush with the egg glaze.  Place in the middle of a hot oven for 12 – 15 minutes until golden brown.
  10. Remove to the cooling rack.

Serve warm with butter – or cold with jam and thick clotted cream!